57 pages 1 hour read

Mick Herron

Slow Horses

Fiction | Novel | Adult | Published in 2010

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Part 1, Chapters 5-8Chapter Summaries & Analyses

Part 1: “Slough House”

Part 1, Chapter 5 Summary

Lamb wanders into Ho’s office to see the image of the hostage. Everyone speculates that the kidnappers must be terrorists affiliated with Al Qaeda or another Islamic extremist group. The kidnappers say they will cut off the hostage’s head within 48 hours. Lamb assures everyone that the slow horses will not be involved in this assignment.

Sid and River return to their office and discuss the situation. River is frustrated that the slow horses are left out of the action, but Sid suggests that they, too, have their purpose. River decides that he will look at the journalist’s copied memory stick he took from the flash-box. He knows that it is risky, but he feels he must do something.

At the same time, Diana Taverner is in her office at Regent’s Park, thinking about the logistics of the case. Even though she is only Second Desk, she will oversee the operation moving forward because her boss is in the United States. She believes that the rescue of the hostage will boost her career. Nick Duffy appears in her office to pass on Jed Moody’s information that Lamb is running an operation with the slow horses. Taverner tells him that she was the one who assigned Sid Baker to the journalist, not Lamb. She now has the memory stick safely locked in her desk.

The hostage is intensely fearful. He knows that he does not matter to his kidnappers. Hassan is a British-born Pakistani, and he heard his kidnappers say the “colour of his skin” was their reason for taking him (112).

Part 1, Chapter 6 Summary

River looks at the information on the memory stick, but all it contains are files of the number pi. Sid interrupts him, and he hastily closes his laptop. He asks her some questions about the journalist. Robert Hobden was once well-connected, she says, but his views became increasingly fringe. When it was discovered that he was a member of the right-wing British National Party, he lost his job and was ostracized by his contacts. River asks her how she managed to retrieve his files. He also asks her if she looked at them, but she denies this. He wonders why MI5 would be interested in these useless files.

River returns to Slough House, where everyone is discussing the revelation that the hostage is a British Pakistani man. Some of them, like Ho, still believe that the kidnappers holding him are from a Muslim extremist group. Lamb says it is clearly a group of white nationalists who see the young man as a representative to be punished symbolically. The only person not in the office is Jed Moody.

Part 1, Chapter 7 Summary

Taverner is sitting on a bench, one of the few spots out of view of the surveillance cameras scattered across London. She is waiting for someone and recalling the events of the morning, when she briefed members of Parliament and the Cabinet on the situation. As she told them, Hassan Ahmed is a second-generation British Pakistani who attends Leeds University and belongs to a student organization for amateur comedians. He does not attend mosque regularly, and neither he nor his family have any ties with radical groups. He has been taken by people who call themselves the Voice of Albion. This group is known to the Service even though nobody else has heard of them. An agent has been embedded with the group. She reassured the assembled members of government that the hostage will be rescued safely. She is shown a note saying “it would appear this isn’t the random snatch we’d thought” (130), handed to someone anonymously. One of the MPs asks her why the asset did not know about this and warns her to be careful.

Jed Moody approaches Taverner on the bench. He admits that he has bugged Lamb’s office; this is why he knew that Sid Baker had taken the journalist’s files. Taverner tells Moody to get rid of the bug. He will be working for her now, though she will deny it should he be caught. She warns him not to underestimate Lamb.

River wonders if the kidnappers are associated with the journalist. He tries to discuss this with Sid, but she dismisses the connection.

Hassan tries to imagine himself freed and making jokes about his ordeal. He begins to call his captors Larry, Moe, and Curly after the Three Stooges. The kidnappers are discussing what to do with Hassan. Curly wants to film the decapitation and stream it live on the internet, while Larry cautions him against this. It would be too easy to trace the feed. Curly goes to the restroom and makes a clandestine phone call.

Lamb sits at his desk, and Catherine Standish thinks that he looks different. She remembers wanting to meet him, long ago, based on the stories she had heard. But when her former boss introduced them, she was unimpressed by his lack of manners and physical disarray. She never understood why he had asked her to work for him at Slough House after Charles Partner’s death. She sees a fierceness in him, but it is an anger hobbled by his inability to act. She thinks the young hostage would have no chance if Slough House were tasked with rescuing him.

Part 1, Chapter 8 Summary

River sits outside of the journalist’s flat, watching. He is interrupted by Sid, who has been following him without him noticing. He plans to watch the place all night, not knowing what he might discover. She decides to stay with him.

They discuss River’s connection to the Service and his grandfather’s reputation. When River asks Sid why she joined, she cites the London bombings on July 7, 2005, as her motivation. River asks her what got her sent to Slough House, but she demurs. She says that she was sent there as a plant. Her assignment was to watch River.

Before he can ask who sent her, they spy a masked figure breaking into Hobden’s house. They pursue him. At first River thinks he might be an agent sent from the Service, but he notes the man carries a non-issue firearm. The man has the gun to Hobden’s head. River opens the front door, not knowing Sid is waiting outside. A scuffle ensues as River gives chase. A gun goes off, and a figure slumps to the ground.

Part 1, Chapters 5-8 Analysis

In these chapters, Herron further obfuscates motivations and intentions to entangle readers in the plot throughout the rising action. As is typical in the spy thriller genre, this part of the novel builds the mystery by creating questions and uncertainty.

A major part of this uncertainty is created by the hostage plotline, especially the nature of Taverner’s involvement. Her evident callousness is made apparent, however: Hassan is “a figure on a board. Had to be. She couldn’t do what she needed to […] if she allowed herself to be distracted by emotional considerations” (109). His safe return equals “the highlight of her career” (106). This dismissive and cynical approach is exposed by this section’s increasing development of the likeable Hassan’s character, creating sympathy for him and belying Taverner’s suggestion that his experience is irrelevant. At first, the slow horses think Hassan is irrelevant to themselves too, although their language is less dismissive of his suffering. River thinks, “He couldn’t help this kid. Whatever the Service did, it would do without River’s assistance” (103). Yet, Taverner’s machinations, Sid’s insistence and Lamb’s growing anger show that the slow horses do have a purpose and that this is related to the release of Hassan, foreshadowing the slow horses’ eventual success. As such, this is essential to the growth of the theme Forgiveness, Redemption, and Second Chances. Also supporting this theme, River begins to feel more confident as his suspicions that “Spider had set him up” during the training exercise are confirmed: “someone had been pulling River’s strings” (156). Contrary to the conventional opinion of Slough House that the opening chapters mostly described, the slow horses are increasingly shown have more potential than was immediately apparent.

This part of the novel also engages with the nature of modern security threats, a key part of the theme Nostalgia, Patriotism, and the Post–Cold War Period. The novel shows the slow horses and Regent’s Park lazily assuming that Islamic extremists have committed the abduction, just to reverse this expectation when the group is named as the Voice of Albion. This initial assumption relies on unspoken racist assumptions of predominantly white countries, which associate terrorism with non-white people. Derived from the Latin word for “white,” Albion is an ancient moniker for England. When the novel was published in 2010, Britain was engaged in the highly controversial conflicts in Iraq and Afghanistan at the behest of the United States. Although a rise in home-grown nationalist extremists was recognized by social commentators, this was not considered a political or security target at the time. The novel’s choice of security threat is therefore prescient and raises moral questions about using outdated assumptions about cultural, racial, or national identity as a marker of allegiance.

These chapters also present an excoriating satirical exposé of right-wing extremism and the rise of populism, which shields and disseminates it across the Western world. The novel shows that the kidnappers are racist individuals incited to violence for the purposes of others more powerful than themselves. Lamb hints at this ignorance while voicing the novel’s disgust: “They’re home-grown fuckwits who think they’re taking it back to the enemy” (121). Lamb’s assessment of their intelligence is underscored by the shoddiness of their website, which contains basic misspellings like “Natoinal purity.” The violently racist Voice of Albion are linked to the disgraced journalist Hobden whose fictional association with the British National Party (a real far-right political party in Britain) enables the novel to criticize moral prevarication. When Sid opines that the BNP eschews “political correctness” in favor of “direct” speech, River retorts that their speech is overtly racist.

Part 1 ends with fast-paced action and a cliffhanger, a common trope of thrillers. Whether the slow horses are ready or not, they are now directly implicated in the action, raising the stakes of Part 2.