59 pages • 1 hour read
Nicholas SparksA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As a child, Beverly visited New York City with her mother, the only trip they would ever take together. Though they were on a tight budget, they visited museums, ate at a fancy restaurant, experienced Times Square, and had pizza and hot dogs from food carts. While Beverly and her mother were at the Observation Deck of the Empire State Building, a man “dressed in a pirate costume” jumped from the platform, and they were almost trampled in the pandemonium (61). Beverly recalls her mother rushing them out.
Beverly wakes up from a dream in which she had been falling. Now a grown woman and mother, she’s in a house she’s rented for herself and her six year-old-son Tommie, having fled from her abusive husband, Gary. Because he works for Homeland Security and has its resources at his disposal, Beverly has left behind her identifying documents and carefully covered her tracks, donning a disguise, training Tommie to behave as if they are not together, and hitching rides to random places to make her trail harder to track. Though she’s been saving for months, she knows that she will need to find a job that will not require identifying documents. She enrolls Tommie in a local school and works on cleaning the rental house, which seems to have been abandoned by its previous residents as if they had fled with as much haste and urgency as she and Tommie had.
Beverly wears her disguise when outside of the house, using a wig to change her hair length and color and makeup to transform her complexion. While walking to the grocery store, she assesses how secluded the house is from public view. At the store, she’s alarmed when the chatty cashier tells her she looks familiar, but decides she’s being paranoid. Surely Gary could not have found her already.
Leaving the store, she checks a bulletin board hoping to find babysitting or cleaning jobs that would not require government documents. Finding none, she accepts that she will have to “venture farther into town” (85). Returning home, exhilarated that she has escaped and started a new life for herself and Tommie, she strips down to her underwear and cleans the kitchen, preparing the walls for primer and a new coat of paint.
Beverly goes to the bus stop to wait for Tommie. As the bus pulls up, she hopes he will be deep in conversation with a new friend, but he is sitting alone. They go into the house together.
As a first grader, Tommie does not have homework, so Beverly takes him exploring on their property. Finding a creek, she shows her son how to catch tadpoles. He wants to bring one to Field Day for show-and-tell. Beverly recalls her own mother being asked to leave when she had attended Field Day at Beverly’s school, then tells Tommie that a tadpole might not survive being in a jar under the hot sun. He asks when he can see his old friends again but asks nothing about his father. Watching him, Beverly is filled with love for him, happy she “risked everything” to keep him safe from his “very angry, dangerous” father (93).
For the rest of the afternoon, Tommie watches cartoons while Beverly assesses paint for the kitchen. After dinner, they play dominoes, then Tommie has a bath. Beverly reads the one book of his that they brought, Go, Dog. Go! Afterward, she reflects on her marriage to Gary. Initially charming, he had become increasingly angry and violent, with short stints of peace and apologies in between. When Beverly began finding bruises on Tommie, and saw his easy-going, happy demeanor turning introspective and quiet, she made the decision to flee with him, knowing that she would have to leave everything about her old life behind to avoid being found.
After putting Tommie to bed, Beverly is filled with “steady, nervous energy” but is cheered by the thought of painting the kitchen yellow (102). She scrubs the walls again while listening to music, then falls asleep on the sofa. When she wakes up, she feels a sense of dread, sure that she has missed something. She reviews the precautions she took then wonders with terror whether the bus stations have cameras.
Sparks’s contrapuntal structure and the introduction of “Beverly” make it clear that the two seemingly unrelated stories will eventually converge, building narrative tension and intrigue as the novel progresses. In his opening section, Colby mentioned only that his mother died when he was six, that he never knew his father, and that he credits his six-years-older sister, Paige, with raising him, since his aunt and uncle were primarily concerned with running the farm. He does not delve into specifics of what he and Paige experienced. Readers thus enter the narrative of “Beverly” with little reason to link her to Paige. The only potential common thread is the suggestion that Beverly was not with her mother past childhood, but it is too subtlety presented to fully tip Sparks’s hand. A few clues sprinkled in this first part of Beverly's narrative—for example, the cashier who thinks Beverly-in-disguise looks familiar and the implication that “Beverly” is the woman’s real name (since she is traveling without identification)—create suspense regarding how the two narrative perspectives will be woven together.
As with Colby’s narrative, Beverly’s begins in the place where most of her story will unfold: the house she believes that she has rented for herself and Tommie. Readers will eventually discover, in Part 7, that it is the house she lives in with Colby in North Carolina. Sparks employs flashbacks as a rhetorical device to fill out the rest of her life story. While questions about the relationship between the two narrative perspectives build suspense across the novel, the story Beverly tells about herself creates propulsion within her narrated sections.
Although Beverly/Paige is ultimately revealed to be an unreliable narrator, it’s evident that the escalating distress and anxiety she feels about keeping her son safe is rooted in a deep love for him that underscores to the novel’s theme of Love and Pain as Two Sides of the Same Coin without giving away the novel’s surprise reveal that Paige is experiencing a psychotic episode. She is anxious and cautious, but this behavior is in keeping with the narrative that she is trying to escape a violent husband who has the full force of the Department of Homeland Security at his disposal. Her paranoia that she has overlooked a detail that will enable him to find her feels appropriate for the situation she has described.
Positioning Beverly as an unreliable narrator allows Sparks to explore the impact of bipolar I disorder on a character and on those in their life. The narrative never resolves whether Paige’s relationship with Gary was actually abusive prior to the car accident that killed him and Tommie. Colby is aware that Gary and Paige had problems in their marriage, but he does not know the specific nature of these problems. As he later explains to Morgan, a person experiencing a psychotic episode may incorporate elements of their lived experiences into their delusions and hallucinations, but how precisely they align with the person’s reality may not be clear. Colby reveals that the wig Paige uses for her disguise, for example, is a wig that she wore with a flapper costume. He also says Gary worked for the government, but with FEMA. The appearance of the designer shoes that alarmed Beverly in her rental house were indeed a gift from Gary to Paige. However, Beverly’s feelings of having failed Tommie are authentic to Paige’s feelings about how her mental illness may have affected her son. Her despair at the idea that Gary will take Tommie away from her mirrors with her grief at having lost her son in the car accident. The narrative does not force clarity for the sake of story resolution but allows the unknown to be respected.
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